刘汉声百佳CD及讲解 1.音质-大提琴 GSCD 025 (天碟代理) 入选理由：音质优美的CD很多，为什么选这张呢？再说它只有大提琴，打击乐器，一点钢琴，爵士鼓和贝斯。是的，不是整个乐团，但我觉得它的音质很美，包括打击乐器。而且我觉得只要你认准了大提琴，让它发出来很美的声音，其他乐器自然就没问题了。你知道这张的音质有多甜美吗？甜如蛋糕上的蜂蜜。 难点：大提琴会变瘦吗？如果会，请想办法让它丰满起来，这是最重要的。 大提琴的质感显露出来了吗？如果没有，请也让擦弦的质感显露出来，否则，音质的美感全部表达不出来。 打击乐够甜美吗？别怀疑，打击乐器的音质也会甜美。 如果不是，那就尽量弄得甜美一点。我甚至觉得这张CD里的混响会很甜美！总之，如果这张CD里的所有乐器不香、不甜、不美，那就不对了。顺便说一句，在第六首曲子结束的时候，大提琴那悠长柔和的音符突然颤抖起来，好像录音架出了问题。2.音色——：RCA 09026-61503-2（BMG代理）入选理由：斯托科夫斯基无疑是本世纪指挥家中的音响魔术师，他指挥的作品把音响效果的运用发挥到了极致，把乐器的音色表达发挥到了极致。
听他的唱片就像是参加一场整套音响设备的高考，大概每个细节都考得透彻。这张CD收录了六首歌，每一首都展现出完全不同的音色美（当然还有很多其他的美不胜收），可以说充分表达了管弦乐编曲的色彩，所以我特意选了它来测试“音色”。难度：第一首曲目是一场非常暴力的演奏，所有乐器的质感和音色都达到了最鲜明的临界点。正常的音响系统可以欣赏到所有乐器的音色质感之美，不正确的系统会觉得声音太粗糙、太硬、太尖锐。第二首曲目中木管乐器的音色确实很美，如果你感受不到蜜汁般的音色，那一定要复习一下。如果你觉得第三首曲目《Moor River》很吵，说明你的高中低频段不平衡。 如果第五轨的木管、铜管和弦乐组的音色没有美到你感叹连连，那肯定有问题，只是你的系统有问题，而不是录音有问题，第六轨那个庞大而厚重的弦乐组绝对是录音史上的典范，如果你感觉不到，那真的太可惜了！ 3、高中低频段音量的分配与控制--Hippo Bela Bros. 7599-26562-2(飞碟代理)入选理由：钹的音量可以代表高频段，班卓琴和吉他可以代表中频段，鼓和贝斯可以代表低频段。
高频不会暴涨到无法把握，中频扎实但不吵，低频既慢又快又清晰，这三点表现就是控制力。从各方面来看，《宇宙河马》符合所有的测试要求，它的录音音质非常好，所以特意选了它来测量各个频段的音量和控制力。整张专辑最让人惊艳的表现就是电贝斯，从高音到低音阶，从扎实到柔和，都能弹奏，无论是技巧还是音质的表现，都变化丰富。难度：斑鸠和吉他要清脆悦耳，还要有弹奏的质感，同时踩上去弹奏的电贝斯和大鼓厚重扎实的低频一定要很有韵味。无论何时何地，无论各种乐器弹奏得有多快多复杂，都不能让人感觉吵，如果吵，说明控制力不好。 第四首曲目，如果低频没有那种柔和凝聚、一直往下钻的效果，说明低频段的功力还未到家。如果小鼓敲击鼓面的声音缺少鼓面扎实的震动质感，感觉嘈杂，也说明中高频段的控制力不佳。4.声场表现--：Noyes 诺亚方舟亲自指挥 436 397-2（福茂代理）入选理由：本来不想选这张CD入选，因为这张CD介绍过很多次，大家都知道它不错。但选了又选，还是觉得没人能比得上《Noyes' Ark》的声场表现。
我只好把它列入名单了。当然，它各方面都很好，不只是声场，我只是突出了声场。《诺亚方舟》的声场有多大？它和场景一样大。如果你的音箱更大，你就会明白我的意思。它的气势有多惊人？强劲的低频段滚滚而来。它的声场有多深多高？上帝高高在上，舞台上有好几个不同层次的高度。难点：弦乐组的录音一开始就很好，音质、音色、质感都很正确。如果你感觉不到低频段特别的力度和饱满，你就不会感觉到上帝和一些人物的歌声的饱满。这时声场的气势就会失去。小孩的声音很甜美，身体也不大，如果比例不对，就结束了。演员在舞台上行走和跑步的脚步的震动和现场感都很好。 如果低频震动只是单薄，那就不对了。第五首的鼓声够不够磅礴？声场够不够深沉高远？最后，如果你觉得这张CD的录音不够磅礴饱满，乐器质感不够非凡，音质音色不够非凡，那一切都不对了。 5.声音的密度与重量- Choir 510 022-2（宝丽金代理商） 入选理由：我很少听到音质很好的非常暴力的录音，这张CD就是其中的一张。这也是为什么我选择这张CD而不是很多同样非常暴力，能够展现声音密度与重量的CD。
你可以听听它的吉他和镲钹声，音质好美啊！你可以听听它的鼓声（比如第一首），音质好美啊！当然，贯穿整张专辑的极度暴力的表现，呈现出超强的“声音密度和重量”也是我选择它的原因。以前MBL的老板在霍华德酒店演示的时候也展示过这张CD。请注意这张CD的封面是全黑的，所以你看到的黑色封面印刷是正确的。难度：如果第一首开头的吉他和镲钹声不够细腻甜美，那就没必要听了。第三首如果没有暴风雨的感觉就不对了；小军鼓敲击鼓皮的质感几乎就像在敲击你的皮肤；脚踏低音鼓的激烈和强烈，让人喘不过气来。第四首脚踏低音鼓和贝斯演奏出的低频噗噗声很迷人，你感觉到了吗？ 噗噗的声音要有恰到好处的震撼，第五首曲目的空间感非常好，小鼓、镲片、脚踏低音鼓的所有优点也都集中在这里。 第八首曲目中再次出现优美的吉他声，快点被感动到吧！ 第九首曲目中再次出现超强的暴力，真的太让人上瘾了！ 如果上不去high，那肯定是错的。 第十二首曲目开头的小鼓如潮水般涌动，如果小鼓声混杂在一起就不对了，加上低音鼓震撼的低频，这一段魅力发挥到了极致。 总之，听这张专辑如果没有热血沸腾的感觉，那就错了！ 6. 透明度-- ：《Paris De et des Les du VDP-15004》（滚石） 入选理由：透明度是一个很难描述的东西，很容易让人产生误解。
这里我可以举两个透明度的例子，第一个是在音乐厅，可以感受到音乐厅灯光明亮的氛围，那种透明度就像你用眼睛看到的一样，柔和、朦胧、清澈的透明度。第二个是在户外，天气很好，空气质量也很好的时候，你会觉得台北市周围的山好像更近了，连山上的小建筑都看得清清楚楚，这就是明亮、清爽的透明度。前一种透明度适合在音乐厅录音，后一种透明度适合在录音棚录音，这张CD就是后者的典型，明亮、清爽，但绝不会刺耳、刺眼，听起来就像是清晨的阳光洒满房间，明亮、舒适。难易度：如果你听到的透明度太白、太刺耳，那你就大错特错了，如果每个乐器的质感不清脆、不清晰、不清爽，那也是错的，低音的声音有弹性吗？如果没有，那就不好了。 贝斯和鼓声结合的效果是不是浑浊沉闷？如果是，那也很糟糕。镲片的声音既扎实又清晰，还有一点甜美。如果听不到这样的镲片，那真是太可惜了。当然，我们的女主角的声音甜美而慵懒，带有纯正的味道，这是日本人的最爱。 7.层次感--：Gate 's Gate 指挥家 I CD-80392（尚洋代理） 入选理由：这是一张很难通过的CD，也是一张非常感人的CD。
先说感人的部分吧，看第一首歌的歌名《天堂之门》就能想象到音乐的形式，密集细腻的弦乐就像从天堂飘来的音乐，那么轻盈，那么柔和，那么纯净，那么纯真。而后面的几首歌，都是如此美妙的弦乐，这支比利时乐团的水平真是让人惊叹。再说难度，这也和弦乐组有关，想想看，这么密集细腻的弦乐组的层次感，要表达出来有多难。可恨的是，录音师把整个层次都录得非常好，你必须表达出来才能过关。对了，听这张CD的时候，不要心急，请放松，躺在椅子上慢慢欣赏，你一定会被如此美妙的音乐所感动。难度：这张CD上其实没有特别难的关卡，因为无处不在，如果你的层次感不好，整体弦乐组听起来就很杂。如果你表现得好，那么细腻密集的弦乐层次感真的很美。 如果你坚持要找一段来测试，那我建议你从第八分钟开始留意，有两段从很低到很响，乍一听很乱，像噪音，其实是很高级的演奏技巧，如果这两段听起来很美很有层次，那你就pass了。还有，如果你觉得这一段不甜美，声音一点力量都没有，那它就不对了。8.定位感——Chico （奇科）：Jazz （爵士使者）CCD-1015（祥云特工）入选理由：测定位感一定要找两只麦克风录的音乐。
为什么呢？因为用多支麦克风录音，录音时会有非常复杂的相位问题。另外，多支麦克风必须在混音台里混音，这会增加相位问题，所以它们的定位会受到影响。如果只在表演者上方挂两只麦克风，音乐直接经过麦克风进入录音台，这样录下来的声音一定是最无染色、无相位的。但是这种录音方式最大的难点就是要找到最合适的麦克风位置，如果位置不对，录音就毁了。的录音是用两只麦克风直接进入录音台录的，我相信这张CD的麦克风位置一定没错，因为录音效果非常好，乐器的质感非常清晰直接。当然定位也很好。难点：你听到的每种乐器的位置都要非常清晰，不模糊，不飘移，好像钉在钉子上一样。如果听到飘移，感觉不定，说明定位不好。 另外，你听到的乐器的质感要非常清晰，软的要软，硬的要硬，不能有软绵绵的感觉，当然也不能有尖锐的声音。最后，每件乐器的体积要相当大，是健康的尺寸，如果单薄的话就不对了。9. 活力度——针对Duke Bill Berry and his All-Stars RT 1001（凯瑞代表）入选理由：Duke Bill Berry and his All-Stars的唱片在LP时代非常有名，但很多人认为他的录音太软，没有活力，所以特意挑了它来测试活力度。
我从LP时代就有这张For Duke的CD，一直用CD听。一直觉得这张CD是一张录得非常好的作品，不是太软，也不是太死，而是刚刚好。如果觉得太软或者太死，那纯粹是器材不够生动。生动几乎是瞬态响应差、强弱对比差、动态范围压缩、速度感不足的综合状态。为此我特意挑选了这张CD作为生动的试金石。当然，精彩的表现是毋庸置疑的。难点：这张CD的难点有两个，分别是“过”和“不足”，这是我自己的体会。所谓过，就是声音太强太尖，铜管的压力感很重，却没有应有的厚度和温暖的金属质感。而不足，就是我刚才说的声音太软太死，没有活力。过的原因，大多是因为中频不够饱满； 除了以上原因，欠缺的原因还有中低频和低频的驻波太强。不管是短号、萨克斯还是长号，都应该听到扎实、饱满、厚实的质感。而且铜管的声音即使明亮也不能刺耳，如果听起来单薄刺耳，或者软弱无力，都是不对的。 10. 结像与形式感——：La de Swing WEA 2292-42338-2 (2CD) ( Agent) 入选理由：这是一张现场演唱会的现场录音。
本来它已经足够优秀到可以放在任何类别去测试了。但是，你不能就只选这张CD！经过深思熟虑，我把它放在了结像和形式感的类别。为什么呢？如果你听了就知道，所有乐器和歌手的结像都非常扎实，有立体感。而且它们的形式扎实、饱满、硕大，绝对栩栩如生。如果你听了第二张CD的前三首歌，没有被感动，那我绝对不会相信。难度：就拿第二张CD的前四首歌来说吧。如果第一首歌（其实每首歌都有）里的掌声不扎实，变得有点沙沙作响，那就不对了。开头的电子铃声形式感非常强，没有打击乐的质感就不行。第二首歌里所有用力击出的低频都必须非常低、非常凝练，像一个实心团块一样击出。更重要的是它们的形式必须一致，任何声音都不能特别响亮。 如果有特别响亮的声音，那是你房间里的低频驻波加强了的。第三轨人声喉咙的震动要非常清晰，非常有力。开头的定音鼓声音要有力清脆，滚落到地面的低频要足够。第四轨的电贝司也强劲有力。如果你感觉不到一团扎实的低频在那里弹跳，那就不对了。说实话，这套太出色了，我无法逐项说出来。反正如果你感觉不到感动，那肯定有问题。 11. - The World of Harp (低频解析度)，竖琴 Decca 433 869-2 (福茂代理) 入选原因：她是非常著名的竖琴演奏家，在Decca录制过很多竖琴音乐，她的竖琴技巧无疑是入选原因之一。
不过她的钢琴水平和测试低频解析度是没有关系的，与之有关系的，是录音时穿过大厅的地铁噪音，这才是考验低频解析度的主角。如果你的低频解析度比较好，那么在第7首曲目中听到的地铁声音会更加真实。当然，测试完低频解析度后，你可以轻松地躺下来享受竖琴悦耳的声音了。 难点：在听第7首曲目时，你是否只听到呼呼的模糊低频噪音？请移动一下音箱位置，再听一遍，你是否听出了呼呼的低频噪音是录音室外汽车的噪音？ 还是不正确，不过已经有所改善了，请再次调整听音位置和音箱位置，你是否已经听出了呼呼的低频噪音像是地铁在轨道上行驶的声音了？恭喜你，你越来越接近了，你不但能听到火车在轨道上行驶的噪音，还能清晰的分辨出火车的方向，这时候你已经到达了更高的境界。 最后，你能清晰地听到拱形隧道中回荡的低频噪音的空间感吗？此时，你已经完成了。 12.刘星：云南回忆（中阮协奏曲） 阎惠昌指挥中国国家交响乐团 刘星 中阮 雨果 HRP 7372 - 声音的二十个要素《速度感与瞬态响应》，入选原因： 《速度感与瞬态响应》不是测量声音有多响或有多强，而是测量当它被要求移动和停止时，它的移动和停止的强度有多强。 你一定很惊讶我在这个项目中选择了中国音乐的演奏。请原谅我的无知，因为我必须说《云南回忆》是我听过的最和谐、最优美的西方管弦乐合奏唱片。
而且它的速度感和瞬态响应都很不错。另外，这是一首非常出色的中阮协奏曲，高超的中阮演奏技术，加上指挥家对动静快慢极大反差的诠释，保证你不用喘息就能一口气听完整首曲子。听这首曲子的时候，请把音量开得比平时更高，才能更加精彩。 13、强弱对比与动态对比——马勒：第六交响曲、悼念亡儿歌 伯恩斯坦指挥 维也纳爱乐乐团，托马斯·汉普森男中音 DG 427 697-2 (2CD) (宝丽金代理商) 入选理由：气势磅礴，动态惊人，演奏时强有力的表现让人震撼。各种乐器都发挥到了极致演奏的边缘，在极强音的管弦乐演奏下，各个乐器声部不会混在一起。 无论是弦乐组、独奏木管、铜管，或是全力发力的打击乐器，都能展现出自然的音质和音色，这是现场录音最好的例子之一，如果听起来不顺耳，说明音响系统还有很多不足。 难点：小提琴在强奏时是否已经尖锐、单薄？小号是否太大而不够刺耳？定音鼓在用力打击时是否有力有弹性？低音弦部分的摩擦质感是否够粗糙？在最强的合奏时会不会吵？整个乐团演奏时，低频段是否够稳定、够扎实？你是否常觉得大提琴很有魅力？你需要经历这些难点。 14、乐器与人声的大小比例——二重奏 Rob and Aron, Lee Jones, Bobby, Lou Reed, , Dan Hicks, , 等八人重奏。
MCA 255 537-2 (飞碟特工) 入选理由：入选理由直接明确：第一，有八位在音乐和音响界非常出名的男女歌手，符合人声的要求。第二，这些人选了一种乐器作为主要伴奏，而Rob的贝斯当然总是在左右。第三，随着人声和各种乐器的出现，乐器和人声的大小比例显露出来。第四，这张CD中乐器和人声的比例非常真实。第五，它的乐器和人声的质感非常真实和鲜明。这是一份礼物，可以纳入到下一项来衡量。最后，如果你不买这张CD，那你就是个傻瓜，因为它太棒了！难度：人声的形态必须最饱满最大，其次是贝斯，然后是其他伴奏乐器。你必须了解这个比例。即使是与管弦乐队一起独奏，人声也必须是最大的。 你不能把人声的大小和整个乐团结合起来算比例，因为没有录音师会这样录音；没有指挥家会这样指挥。第四首曲目是Rob同时弹奏两把贝斯，你能感受到非常有弹性、非常柔和的贝斯吗？我很感动，觉得这首《Duets》是杰作。其他每一首歌也都是杰作。如果你觉得任何一首歌的音质不够美，乐器和人声的质感不够清晰，那就有问题了。 15.乐器和人声的质感与空气感——电影《唐璜》配乐，由Kamen作曲 AM 540 357-2（宝丽金代理） 入选原因：好的录音那么多，为何要选这张CD来测试乐器和人声的质感与空气感呢？顾名思义，入选的CD必须有人声和各种乐器，除此之外，还要能凸显质感和空气感。
所以经过挑挑拣拣，我选择了这张CD。不要误会是流行音乐，除了人声之外，整张CD都是古典音乐。人声、低音弦乐组、小提琴组、古典吉他、各种木管、铜管、钹、打击乐器等等的质感和空气感真的很棒。另外音乐也很好听。你说，我能不选这张CD吗！难易度：第一首曲目吉他的质感是一流的，人声的质感也是一流的，如果质感不够强，声音比较沉闷，那可能就有问题了。第二首曲目的低音弦乐部分和定音鼓都很不错，如果定音鼓不够清脆震撼，那就不对了。接下来还有许多古典吉他的质感值得品味。如果没有弦乐温暖坚硬的质感，那你也要检讨一下系统的声音是否太沉闷了。 第八首木管的空灵和质感美得让人起鸡皮疙瘩，各种打击乐器和弦乐组的质感非常真实，你们有没有和我一样的感受？第九首开头的小提琴质感也很好。总之，如果你觉得质感不清晰，那就是不对的。 16、细节再现 - The Fred Trio Plays… Fred, Piano; Drew Gress, Bass; Tom, Drums JD116（福茂代理） 入选原因：考验细节再现能力，不一定要听很复杂的乐器编曲，相反，编曲越简单，能再现的细节越多。
奇怪，原因是什么呢？其实原因很简单，因为乐器越少，越容易听出泛音、混响或者各种乐器的细节。而且乐器少，细节不多的话，你会立刻觉得声音单调。所以我特意选了这张只有钢琴、爵士鼓和贝斯的CD。这三种乐器本身的细节就足够了，组合起来就更够你听了。当然这张CD优美的歌声和高水平的演奏也是入选的原因。难度：在第一首曲目的开头，你是否听到了镲片的甜美、光泽和金属的波动？如果镲片不甜美，那么你的音响系统的声音可能会趋于干涩。另外，镲片敲击后不断飘起的残余振动，你捕捉到了多少？乐器演奏时在空间中飞舞的混响，你捕捉到了多少？ 请注意，你需要捕捉到很多我上面说的东西，如果这些细节没有太多表现出来，说明你的音箱锥体振动的灵敏度不够。整张CD里的镲片处处出彩，尽情享受吧！ 17. 空间感 - 当铺爵士 PRCD 7778（泰富代理） 入选理由：很多爵士乐唱片都是在酒馆里录制的，在这样的地方录音充满亲和力和热闹感，更重要的是与现场观众的互动会让表演者兴奋起来，表演更加生动。既然有这么多的爵士现场录音，为什么我选了这张呢？当然，生动的现场感营造出的极佳空间感是原因之一。
第二个原因是这张CD上的乐器比较大，质感比较真实。由于用了很少的录音设备，现场所有的声音都被清晰的捕捉到了，从而展现出了酒馆里非常自然的空间感。你可以从感受到的空间感来描绘出空间的大小。难点：当乐队不演奏的时候，酒馆里的各种噪音都非常清晰逼真，如果你觉得那些声音离你很远，那么这个空间感很可能就是不对的。当演出开始的时候，现场嘉宾的活动其实并没有停止，所以你也能听到很多噪音。另外，现场观众的掌声要有肉感，而不是只是高频的拍手声。如果你的掌声没有肉感，说明你的音响系统中低频的音量不够，高频太突出，这种不平衡会造成声音太尖锐，太吵。 18. 整体平衡 - Sedov 指挥 RCA 09026-68055-2 (BMG 代理商) 入选理由：听完第一首歌后，你绝对不会相信这个男声合唱团只有十六个人。因为你听到的合唱团规模非常庞大，好像有一百或两百个人。听完整张 CD 后，你绝对不会相信这个十六人的合唱团只有几个男低音。因为你听到的男低音就像是几十个人唱的一样。
听到结尾，你只能摇头叹息，因为这个成立于1989年的俄罗斯合唱团的指挥是如此的年轻。他出生于1961年，但他指挥的合唱团的整体平衡可以说是无可挑剔的。基于这些无上的完美，我选择它来测试音响系统中最重要的整体平衡。难点：你是否听到了低音发出的低频冲击波？你是否感觉到男高音如天籁般盘旋在声场之上？你是否享受男中音饱满嗓音的美妙？你是否赞叹合唱团演唱的平衡、圆润、紧密、和谐到了无可加添；也无可分析和分离的地步？如果你的感觉和我一样，那么你就通过了测试。相反，如果你感受不到这种庞大、和谐、圆润、紧密的平衡，说明你的高、中、低频段的平衡有问题。 19.圣-圣：为管风琴而作（Saint-Sains: for Organ）马塔指挥达拉斯交响乐团，让·管风琴D-管风琴的专门测试。入选理由：自然乐器中音域最低的就是管风琴，钢琴的音域虽然也够低，但是它的音量和震撼力无法满足音响迷。很多人对低频和超低频有误解，以为那种能捶打心肝的重击就是够低的低频，其实错了。真正的低频（40-80Hz）和超低频（20-40Hz）不会捶打心肝，而是会卷起裤腿或者让皮肤震动，或者让头皮发麻。
单独听风琴是无聊的，所以我选择了这两个风琴音乐，无论是管弦乐队还是乐团，音色和声音质量都非常漂亮，而且表演也令人满意。进行测试，因为您只能倾听他们的心情，所以我选择了许多歌剧，我再次选择并选择了“卡门”男人是由米佐（Mezzo-）演唱的。 如果您习惯于与主角一起听歌剧，那么您也可以仔细地欣赏Mezzo-的魅力。奥塞（Oser）出生于前匈牙利（现在是斯洛伐克共和国）。
但是，大多数人都不知道这些歌剧听起来像是音乐剧，而“土地”是decca的前唱片。典范的歌剧录音。 选择的理由：像夜莺一样美丽的女高音，像夜莺一样善于聆听，只听到了在空间中流动的空间，而毫无疑问，观众的掌声是录制的25周年音乐会。
第一首歌，“夜莺和玫瑰”和第二首歌“夜莺”，令人难忘的是，这绝对是值得的。您可以比较不同的歌手的声音特征及其不同的美女，在这个“伟大的女高音”中，我发现了这张CD。女高音的声音相似）。 尽管每个女高音都有不同的特征，但它们都具有相同的圆度，甜度和高范围的特征，否则，他们的唱歌就不会吸引很多人。将这么多著名歌剧的饮酒歌曲包括在内，这也很难录制所有20首歌曲。
当然，这些伟大的歌手的唱歌技巧，您可以一次听到很多人的声音。绝对是错误的，如果您认为这些歌手的声音是干燥，平坦和薄的，那么这些歌手的声音是如此的魅力，这是错误的。 25. Ariel：由演唱的Misa Latin（中央和南方），由José-2（的代理人）进行选择：几乎每个发烧友都有此CD的副本，但我不确定音乐迷为什么要录制录音，因为录制了 of of '' - 老实说，质量的测试光盘都不会被嘲笑，无论卡雷拉斯记录了多少唱片或演唱了多少歌剧，我认为这张CD是他的峰值作品。
因此，如果您还没有这个CD，请要求某人秘密地购买。大，但尖锐，然后又一次。 26.对Mezzo-的特殊测试 - 在。塞吉·奥扎瓦（Seiji Ozawa）进行了波士顿交响乐团，马萨诸塞州溜溜球，佩尔曼（），von state，sony SK 46687（索尼哥伦比亚分销商）的选择：在这张CD中除了女主人公中，其他节目都没有得到一个柔和的，甜美的声音。
这是在布拉格的 Hall中的，Dvorák的所有作品都没有录制。绝对是因为您是无情的，但声音系统是第一个曲目中的乐团，如果不是，那么曲目是 track yo yo yo yo yo yo yo， 。 如果您没有被感动，那么您的声音系统不会表达美丽的音色。说沃尔夫构图的原始材料来自意大利诗歌的德语翻译。
他们中的两个人都在唱歌，很少有表演或录音在我的脑海中超越这个版本如果您听到的，那么您的声音是不够的。尖锐性不正确，所有频段都是错误的。 请注意，无论是男中音还是钢琴，任何薄薄的人都必须是牢固的。唱歌表演非常激动，他唱歌的每首歌都充满感动和深厚的感情。
这张CD仅用于男中音的唱片，与他的唱片相吻合。伊亚诺（Iano）的表现能力稳定，如果稳定地，当大男中音在第九个曲目中不好。作为钢琴，并具有向下延伸冲击波的声音？ 男中音的声音总是充满震惊，即使唱歌多么强烈，您都会感觉到这一点，请注意，男中音不会刺激或撕裂。需要详细说明，这首歌的标题是“ Alto ”，但实际上是在元素中的范围。
在这里，她会唱歌更好的是，它具有一流的管弦乐录音效果：如果中音的声音不满意（请注意，我的意思是说是充满的），而不是柔和的，那么当她降低声音时，您通常会听到独特的声音。 至于管弦乐队的一部分，如果您在开始时感觉到贝司弦组的弦振动纹理，而字符串的微妙波动，那么这首歌的录音绝对是一个标准的演示级别。这是一场罕见的低音表演。
他可以用六种语言唱歌，因为他在那里唱歌的人是两个人。 CD必须很困难：如果您听到他的声音，那么如果您没有听到上述频率，那么，如果您想到的是，如果您听到他的声音，这是最好的吗，或者房间中反射的声音太强烈而混乱。 31.伊万二世（Ivan）贝斯音乐的最佳选择（记录集）选择：伊万（Ivan）唱歌很好，第二卷中的歌曲也非常好，所以我做了一个例外，并且连续选择了他的两个CD。但是，从我内心深处感受着巨大的荒野的悲伤。
只要您听过前四首歌曲，我认为这首歌总共有16首歌曲。这首歌，当他从最高时期到最低的唱歌时，足够了吗？已在那个音乐厅记录。 这张CD在1980年成立了CREEK男子合唱团，您可以想象有多么困难的唱片。
巨大的嗓音，和谐的合唱和经常的声音压力是声音系统的严格测试。简而言之，如果您不觉得巨大的势头，这是错误的。 此外，这个合唱团的美丽和谐也证明了“人的声音是最美丽的乐器”，请记住，当您开始聆听时，请记住第一个曲目。人声音的形状应该非常突出，男高音应该清晰饱满，低音应该非常深且充满粗糙的磁性。
如果您认为男高音太稀薄，或者太亮了，那是不对的；实际上，不幸的是，由于某些原因，美国的发烧几乎都跳过了，这也引起了我与德国人的聊天的误解，音质和小提琴的音色非常真实和美丽。 至于各种游戏，我可以说，如果您想购买该CD，则可以说出这个CD拔出小提琴腔时，您可以听到弦乐和弓互相摩擦时的粗糙摩擦质地吗？
35.先生（七个著名的小提琴） / Kira /钢琴Tacet 36（文艺复兴时期的代理）选择：我不知道它是否受到“ 15个著名小提琴”的CD的影响AME的表演者更有著名的是，这七个著名的小提琴比15个著名的小提琴是充实的，甜美的和明亮的。小提琴的仪器？ 当钢琴的共鸣是非常富有的吗？ （XIN YI代理）选择的原因：此CD具有常规版本和24k Gold版本。
您是否可以在著名的小提琴中产生富有的小提琴，而著名的录音，您可以在其他CD上找到相同的录音，无论是常规的您是否认为第三个曲目会从一开始就可以回顾一下高音系统的平衡。 ，; 约翰，钢琴72033（上学的代理人）选择的原因：犹太音乐充满了感性和悲伤，即使是快乐的舞蹈音乐，我选择了这张CD的主要原因，是音乐本身非常漂亮，第二个录制的录制效果是较宠儿。它几乎滴着蜂蜜，钢琴柔软而向下散开的低音琴键琴弦振动使人们真正欣赏了一把好钢琴的魅力。
小提琴和钢琴的质量，质量和钢琴的质地非常自然：如果您听不到的，您能听到原始的低频噪音吗？当它播放到中间和低位置时，如果您听到第一个曲目的温柔和优雅的特征，那么它就不会让人感到震惊。 38. dutva在伦敦的dudva中的声音449 858-2（代理）选择：是解释的最佳选择，该CD被普遍认可录音效果？ 如果您听到听起来像薄长笛的小提琴，则意味着您会听到一条失去所有摩擦细节和质地的小提琴。
如果您觉得小提琴的声音在听这张C时太稀薄，这意味着您的声音系统的中间频率和较低的频率不够丰富。是单声道的录音，但是，如果您的系统的高频调整得很好，那么小提琴的声音就不错了它终于出版了，并放在第一首歌中。 老实说，只听外面很冷的第一张音乐，但充满了紧张感，这是值得的。声音调整。
调整第一件，如果您可以将第一个和11件作品调整为我提到的第一个和11个，那么您的小提琴表现将在将来无法进行，更不用说当您聆听第七，第八和第十章时，您将如何移动。选择的原因：请直接从第四首曲目开始聆听。美好的声音质量和中提琴的音色更加生动地表达。 在聆听第五和第六曲目之后，“浪漫史”的“浪漫史”，这是另一首美丽的歌曲，使人们感到非常感动。此外，整个中提琴的“盒子声音”非常重。
您应该对“重型盒子”的称赞，而不是在整个CD中听起来很不错7340（代理人）选择的原因很少，而且很难从如此小的选择中挑选出良好的音乐，良好的表演，自然而美丽的录音，我仍然发现了第二个音乐，但他的次数不如德国和奥地利大师。 。 it like a of the high of the cello and the low of the . of this, the viola has a very and , which is worth your . : In to the rough , will the sound of the piano noisy? When in high , will the of the viola be lost? This viola very sweet, can you hear it? When to the low range, many hear the and of the piano board very . Can you hear them all? The of the piano is also very well, can you feel it? 42. Test cello - The Voice of the Cello, Cello; Tryon, Piano DOR-90208 (agent: ) for : As we all know, the hall of Troy Bank, the place where are , is an venue. 由于地理位置优越和雅致的录音工程师，因此在那里制作了许多出色的录音。
This CD is such a cello . And I think every song in it is a good song that you will never get tired of to of times. The and soft of the cello are fully here. If you don't have this CD, it will be a great in life. : Does your cello sound like it is like a child? Does it sound like a with a nasal voice? Does it sound like there is a very noise of bow ? Can you hear the of the bow on the ? Does it sound full of the warm and of ? Even, does the piano sound ? 43.: ; : Maria, Cello; , Piano Naxos 8. ( Stone agent) for : Naxos? I have never heard that it is an ! You are right, it has never been an . , it can be a " " with a very , which is one of the why I chose it to be on the list. is the music it . 's "The of the Lambs" is of a piece that loves and can be heard often. , 's " " and "Folk Song " are not often seen, so the put 's music in the front.
it is cello or piano, the sound is very , cello, which is one of the . Don't the they are not . Their are very . ! : Does the cello sound dry and dull? If so, that's not good. Can you hear the nasal tone by the of the cello board? If not, then the cello is not like it. When the plays the cello very and , does its still exist? If you can't hear the , that's also bad. The piano is very from to end, any , but the truth is seen in , can you feel it? 44. test for bass - for Bass Jan-Olav Wedin The ; , Bass Opus 3 CD 8502 ( agent) for : When it comes to bass, will think of Gary Karr, who is the most in , but I would this bass . Why? It's not that I think he doesn't play well, but his in King in Japan is too , which will make the sound and of the bass. On the , the music on this CD is more , and the bass is not at all, which you to the of the bass in .
In , the of the was also very well; the sound of the venue was also very . : The bass be large and solid, not soft and . , its sound be sweet in the rough and tone, and it never be . More , the of the be , not hard. Of , the and the thick and the bow also be . 45, Knut, Bass; Keiko Ogura, Piano; and . 32CM-63 ( by ) for : The first for is that this CD a very rare Franz Anton " Bass ", and the of , viola, cello and bass is very . The is that the bass is very , on the music than using the bass as a tool to the sound . In , it is 's "Songs Words", Bloch's "The ", or " on Green " are all very and to to. After to this album, I you will have a of the sound and of the bass.
: In a "", can you hear the of the bass? When it is all the way down, are the sound the same size, and are some and some ? If it dry when it is to the high , it will be bad. Can you hear the of the four in the last ? And the and them? Let me put it this way: If you are not moved by its "" after to the last , it means that your sound has not the level. 46. test for group--: Four De La Mara , main Divox CDX 79404 (Tian Die Agent) for : There are many "Four " by , and their are all known for their . , it is rare to hear music with such rich wood tone of the as this "Four ". It is sweet, clear, in tone, rich in low , and full in . More , the level is high. No how many "Four " you have, once this one is on the shelf, the may give way. : If it pure and , too thin, and only has a sense of skin, then it is not right, which means that the mid-range and low- of the sound are not full . If it too sharp, too hard and , then it is not right , which also means that the high is too . To solve the of high , it is not to the high . the mid-range and low is the .
How to it? the is the most cost- way. 47. piano test - : "My " piano four-hand Tetr MK 0021-2 131 ( agent) for : This is a four-hand piano by the , and the track is rare and . , "My " by two with four hands is full of color and . , its piano is very and very , fully the sound and of the piano, as well as the of the touch. It does not have the of your head into the piano to to the , nor does it feel like to the piano in the last row of the hall. In short, it is just right. : Can the sweet and of the piano be heard ? Do you feel the of the bass keys ? Is the sweet sound of the piano ? Are the of the piano sound full and ? Is the and of the touch keys ? Are the round and of the bass keys clear? Only when all of them are well can it be a pass. 48. I Duke, Hoagy Ahmad Jamal, Piano CD-83339 ( Agent) for : The one is for piano , while this one is for jazz piano .
Due to the , the sound of these two are . The one is to sit under the stage and enjoy it, while this one is to sit next to the piano and drink . Let's talk about the songs first. All songs are gems of jazz music, with very and full of and . Let's talk about the . The piano's sound are full and solid, with and . The and of the are in the air, and the of the bass keys is . After down in the , make a pot of good tea or brew a pot of good , and to this CD . It is to be the . : When the piano bass of the first track is , does the low ? Is the 's clear ? Is the piano's fast ? If the piano sound is soft and thin, it is not right. Is the piano sound of the keys in the track sweet ? If there is no and no , it is not right. Are the sound of the bass in the track ? Is there ? Does it look like the of jazz drums on the drum ? The piano notes in the track are like beads on a jade plate, and the bass keys are like balls out one after . Do you feel this ? 49. test of --Villa-Lobos: 1 DOR-90205 ( agent) for : Do you to music? Do you to Villa-Lobos's music? Would you take the to buy his ? If the to three are , then the above three are the for .
With the of , you can try Latin style ! these songs are full of Latin style, they are well-, , and , which are to take on the task of the sound : as long as the sound too thin, it is wrong; as long as the of each is not felt, it is wrong. If two , a viola and a cello be , there is also a ; if the four do not have a and rich , it is also wrong. The most thing about is the of and . If you feel that the is not very good, there is a . 50. test --Salon 412 322-2 ( agent) for : The of this CD is to be for . You can use it as an alarm clock to wake up the whole in the ; you can also use it as cool music to cool off in the night. The in the first piece is so , and with the sound of water in the , it seems like we are in the . All are salon music that was very at the end of the last , and they sound and . There are two , a cello, a bass, and a piano. The of these is very good and the sound is also very . that the is a sharp in the high , the rest is .
: Did you hear the sound of water soon after the first piece ? Of , you must have heard the sound of water at the end it was very loud. The has a and sharp in some , but it is still the range. If you think it is too sharp and harsh, then you are wrong. If the cello and bass are hard , it is not right. Does the of the sound ? The cello and bass must be . Are the of the four also clear? How many are when in the third track? 51. : "Trout" Yo-Yo Ma, Ax, etc. Sony SK 61 964 (Sony Agent) for : There are many of the "Trout" , but the with good and is rare. I am so happy to hear Yo-Yo Ma's . The for this is not just Yo-Yo Ma, but the of all five in the . Their are , each with an , yet they are able to a that makes one feel in the music. The is a rare high among the , with the sound and of each being , and the being even more . : If you still can't feel the joy of an after for ten , then there is a , the of these five are and real. it is a , viola, cello or bass, the sound and are very high, and the of the is also very good. If you can't hear these, you must it.
As for being sharp and thin, that's even more . 52. test for small - : The Story of a New York CD 122 ( by Fumao) for : 's work was (1918) for the of , so the was very small, but it was full of . There are only three , the , the devil and the , and the is to one high range and one low range, such as and bass; and ; and , etc., and some . The three and have a vivid and stage . I think the most is in . Here, it is in for to , but it is also very . If you want to the , this also has , but the 's rhyme seems to be out of tune with the music. The of this CD is very and , and the and of all are very and . It can be a model of a small . : Will the of each move you and again? Is the whole sound field wide and deep, as if there is no limit? It is the fault of this CD, but the fault of your own .
53. : John, . Naxos 8. ( Stone ) for : The so - dance is of a song for dance. Even 's dance music is so vivid. I think this is the first -class . There must be a baby. The of the bass must be . If there is no , the song will lack and it dead. The group in the must be shiny. If there is no gloss, it is to no , then the whole song will also hear dry and . 54. : , VAN and other 416 841-2 : Just at those lists, you can know that this is a that is not easy to .
Of , the name of the show is just a big name. You can see the back cover by . , this is a very " "; and it is very from the . Fan, it is the and sound of the , it is very . I want to say: "Long live the !" : I want to say that if you can't hear the , it is sweet and clear, then don't blame the . Yes, to the track, the of the piano sound and the clear of the , the of the box plate has come out, do you hear it? put, to this CD is not moved by the of its . 55. test of the -Peter and Wolf/Youth Guide/ Durai Durai, 444 104-2 (Fu Mao Agent) was : These three songs are very . Why do you have to this ? The shows what are now.
, its is the first in it is sound or the of . Is the band at the scene? Is it to be? The sound is very clear? The bell drum can only hear the wow, the of the bell? Is Steen 's voice thin? he is not a fat voice, he is and . Lei music is , it is a work.
The key to the is here. These two CDs are . It is a model in the model of music. How much? note that it is not good if you hear very , this means that your low - and space will have . It's hard to . I hear such an bass group on other CDs. 57. Faya: Hat Music; Bato: Dance Group Jorda , EVC 9000 ( Agent) : The enemy of this CD is DECCA's . The field is wide, the sound of the is , and the of the is .
If I want to it than the and , I also like this . I feel that it has a taste. Is it too ? that the whole CD is full of . Is it too noisy? Is it a pity if not? 58. Gao Da Yi: , such as , , the DECCA 443 488-2 (2CD) (Fu Mao Agent) : and Actor's made . It is . The actor's and the of make taste the music feast, and the thick of the group is . the male vocal shape is the same "round".
Is the shape of each other , and the are as on the stage? . In terms of , the works of the light Ket 戬 Bey are all in it, such as " " and " ". The thing is that is full of "big ", the group, which is and there are . The can be said to be sweet and sweet, and you can't help but don't like it. : If the group is not a "large group", it is not the past. You must it . It's over.
60, : 1812 , songs; Moski: , etc. After 1958, my was all . In terms of audio or , he is all . : The "Night of the " is very (in fact, each is the same). It can be said that it has the point of the audio . , if you feel , then your audio is too much. On the , if you don't feel , then you have not yet the point. Don't be . If you hear the sound field and the sound is soft, it will be .
It is that you to the fifth song first to make you move! The group can show a very in both or play. The sound and sound are and . waves, if the drum sound is not , empty, it is not right. Iron's be clear, sweet and thick, and do not be too thin. Baby.
After this CD, I you have how to judge the good . , you can this cover when you buy it. This is the . Think that the sound is not sweet, then all your CDs will not be sweet. If you feel that low is not , then I that your audio has a with low . Qu; : Came , Royal . EMI TOCE-3019 ( and Agent) for : This is the 2088 of of Japan/EMI. The is an that the .
Of , you can take 's to with Akado; also take his "Kamen Qu" to with Mitt. The sound is not , no , and then it as soon as . It will , and the real sense of space is not easy to show. Do you have these ? 64. test of of -pomp pipes Wind; Paul Riedo, ORGAN RR-58CD (Taifu Agent) : It can be said to be the first of the world . it was , or now in RR, this CD is more than . In to the of the and the drums, the were also added.
Of , the wind piano is not often , and it also shows a lot of . It 's not if you do n't to it after to the track. There are a lot of of Wuwu, but I just chose this one. What is the ? The warm tube, tube, thick tube, and pipes are . The only thing that is not is the thin tube. There must be the and of the tube . to say, these are fully in this CD.
By the way, if the Tuba does not have the kind of guru from the sound, it is not too much. 0223 ( ) for : The main in this CD are , and the speed of play is fast and fast. There are as many types of sound . As soon as the drum is soft and , there are also . : From the first song, if the small you hear are sharp and thin, there is no thick and warm , then you don't have to to it . , if the band you hear is not warm and thick, the big drums are soft and deep, and there is no need to , you are too far away from the . Liang Liang can't be thin and harsh, it will still have thick and warm sound .
67. test of tube-ebony John Bruce Yeh , Jazz Wind RR-55CD (Taifu Agent) : In to the of the , the rare of the song here is very ; the song name is , it is very good. Of The is so good that it be in words. It is not just that the pipe is . Even all other have a sound and sound. Then, it is , you don't need to , it is . Do you feel that the of the bass tube is ?
The of the is one of the main for the . The beads of Zhuyu are the lead. ? Okay, but not as "sweet" in the first . In to , the soft that the of the is also a must. In , the echo of the sound of each also the sense of space. Right, it is not right to hear the soft , and the of the sweet sound is not the same. This of the sound and sound is the most .
A full set of CELLO and Nagra , plus the GENE POPE III no , this CD. . The range and the of the of the soft and fast are often . When you to the tenth track, you can hear the sound field, space, and all the ? Can you enjoy the thick group when you to the track? If it is , it is right! The part of the part is very wide. There are music, New Age music, movie music, jazz music, sound , and even songs and music. Voice-FAIRY TALES ODIN CD-03 ( Agent) was for : This CD in the form of LP, and it was at that time. After CDs, it was still .
After it is the most , it is clear and . it is human or piano, it is pure in the fairy tales of the sky. , if you to this, you feel that it is too thin to be too thin. It must be wrong. In ten , I would think that I my name to the KK to it. The kind of dan Tian's voice and the of the voice are very like. The is very , but it also her . It is a with , in the world, and , and there is no in the . Do you want to think that she is like a giant than Lin Daiyu.
Is bass to be ? Is it ? If the is crisp and sweet ? Or where the audio is , but "" is the of his . it is human voice or , you doubt that these are the and ? They may be to the soup made of clear water with MSG as the old hens. : For many , if they want to taste pure and not MSG, they may the taste. Will this CD also feel that all the and are not ? Okay. : The of this one is very , if you can taste the , it is right.
74. This is the kings emi CDC-7 49118 2 ( and Agent) : Six men, the sound by their voice are in the world, six male , the they sang are only in the sky. It is of these three , so this CD can enter the list. You are still , then I have to judge that you are deaf. The track is the one that is into the BW test film. Can you feel a great sense of space and of ? Also, is the of each very clear? The sound of all is , and it can be to human .
, in order to test , I the drums and . Miao, and the sound of the is even more clear, , thin, and in the way, it has a real play . In to the low of the drum, the sense of speed be fast . If you step on the soft lying on the soft, the sound of the must have the of the steel . At this time As for the sound of the , it must have a and the of the blue sky. There is a " man" on the list. , I have been to the of the album. It may be my !
Full human , , low and bass and drums, the of all and is very , and the huge sound field is the most place in this CD. the and of the palm, it is not right. There are too many are sweet or dry? If the sound field is not wide , there is a ; the sound of human voice is not big , then is over. ; , it looks so .
The of each is so , it is a bit rough, as if it is a low - shock wave under each (it is to this , it must be with a good with a good low - ), and the human voice is full and . Is the of bass clear ? Will the echo in the space be clear ? The low has been low and . If you don't feel the shock of the low , it is not right. 78. URNA "Song of " Klang Rame 30200 (Ling Rhyme Agent) was for the : To be , I must admit that the I will this CD into the list is that the is too moved. , the is the next . It is the .
You must guess that the song of the must be very . It is just the . She sings very soft, very soft, very , and very happy. with the "'s Song", the Rap are and sad, while the love song is and love. The are of the , so the and the sound , sound, and are not . The is sang with , voice, so that is, so the of the human voice is very clear. 79. : Of Time Lab 10060-2-F ( proxy) for : In the large and small fever , I think that the sound by LAB is a must-have. It is for you to hear it you are on Lab .
可惜我听过许多人家里的Lab唱片，不是软趴趴无精打彩，就是有点浑浑的。现在，这张CD 可以作为Lab唱片声音特质的代表，只要您能体会我所描述的，而且能被感动，那么您听到的就是正确的声音。难关：您会嫌这张CD 的声音软趴趴吗？如果会，那就表示您的速度感与暂态反应都不足。您会感觉这张CD 的音质死死不柔没有弹性吗？如果会，就表示您的低频表现有问题。告诉您，只要您听的是喇叭花的CD ，就一定要享受到既柔又纯，而且还带有弹性、速度感、清楚质感的声音。如果这其中缺一，就表示音响系统有某方面的问题。您知道吗？那低频柔得简直就像南风加上无影脚，那钢琴又柔又刚又甜又美的质感真是无法形容。80、台湾人郭金发主唱，张弘毅编曲太笙唱片TSCD -8702入选原因；不要以为男低音都是西方人的天下，我们台湾其实也有一个郭金发。郭金发的低音厚实饱满自然，兼有温和的震撼力，唱起台湾民谣来特别有一种别人难及的憨厚韵味，充分表现出老一代台湾人的特质。 在今天台湾年轻人已经忘却民谣而跳起黑人街舞的时代，或许这张CD 中的十二首台湾民谣可以唤醒年轻人心中的稻香味。
当然，这张台湾人所以会入榜不只是郭金发的歌声，还有张弘毅的编曲以及王基光的录音也是不可或缺的因素。难关：第一首（其实应该说每一首）的脚踩大鼓与贝司同步合奏的低频厚不厚？沈不沈？如果不厚不沈，那么郭金发的声音保证也就不够厚。第三首郭金发的歌声又低又厚音像又大又凝聚，您能感受到这些美感吗？第四首郭金发的低沈喉音会发出震撼感，您听得出来吗？这一首曲子弦乐群之外的其他乐器的质感也录得很好，弦乐群则有录音室录音不够自然的小缺点。其实，在每一首曲子中，郭金发的歌声都会有低频的震撼力，那种震撼力既低沈又温和，这是非常迷人的特质。81、今夜来去听阿吉仔念歌卷一、卷二金圆唱片KYD 020 、021入选原因：雅弦录音室的老板陈健平本身是个音响的大发烧迷，用过的器材不乏类似Audio Grand SLAMM 之流的东西。不论他录过多少好作品，阿吉仔这二张CD 一直是音响圈中最受欢迎、也最感亲切的录音。下次如果您在音响大展中看到一位瘦瘦高高、蓄着长发的人，他可能就是陈健平。这二张CD 第一迷人的地方是阿吉仔那低沈深情柔婉悲戚的歌声，他唱出台湾人数十年的悲哀。第二迷人的地方是陈健平的录音，他所录出来的弦乐群以及低音效果是台湾唱片中罕有的高水准。
难关：第一卷第一轨的“序”弦乐群录得非常柔美有质感，而且有很自然轻松的向下延伸美感。往后的几首也都是这样，假若您听到的不是很柔美的弦乐，那就不对了。阿吉仔的旁白声可以允许有一点的唇齿音，不过不能太重，如果太重的话那就代表您的中高频处太突出。阿吉仔的歌声刻意控制得很低沈很柔，如果您听起来会有硬调的感觉，那也不对。脚踩大鼓与贝司一起下拍子时的噗噗声效果很好，它是既软又有弹性的，假若您听不到这种噗噗声，那就代表您的低频有问题。82、专测中低音单体承受能力-- De Kanai Three Blind Mice TMB CD 5012入选原因：我一直迟疑要不要让这张CD 入榜，因为它太暴力了，简直就是喇叭中音单体的杀手。后来想想它的演奏虽然非常夸张，但是录音却是非常自然，因此最后还是让它入榜。请注意，它可不是古典的“阿兰费斯”吉他协奏曲，而是爵士五重奏的“阿兰费斯” 。内中有几位爵乐好手尽情的改编几首名曲，将他们的技巧以及乐器的性能极限发挥到极致。多可怕！您将听到高音萨克斯风的狂飙，钢琴强烈的打击，以及贝司肆无忌惮的猛弹猛锯。
而这些声音又大多冲着中音单体而来，简直就要把中音单体摧毁才罢手。当然，当他们力气用尽之后，也展现了温柔的一面。难关：第一个难关就是一定要开大声。如果您觉得开大声会吵得令人受不了，那就不必听了，这表示您的中音单体承受不了。第二关是质感，如果您觉得还不算吵，但是听得出每种乐器很鲜明的质感吗？如果听不出美妙的质感，那也表示不能过关。第三关就是非常快速的速度感与暂态反应，如果听起来有一点软趴的感觉就错了。第四关是乐器形体要超大，如果没有超大那也不对。第五关就是：建议您不要买这张CD 算了，因为您的中音单体一定承受不了的。83、专测中低频驻波-- Girl Talk Trio Three Blind Mice （天碟代理）入选原因：首先，我是因为第一首歌实在非常迷人，所以想选它入榜。但是，我不能因为一首歌好听就选它，所以找到了一个藉口，那就是它的贝司可以测中低频驻波。只要您听到贝司弹出来的声音形体有过大的地方，那就是驻波所在。不过，如果偶而有一、二个驻波并无伤大雅，每个房间都会有的，但是如果一直轰轰作响，那当然太过分了。除了贝司测中低频驻波之外，其实也可以测钹，那钹声肯定是很脆很甜很美的。
难关： 每一个弹出来的贝司声形体是否都一样大？不能有些音很肥，有些音很瘦，很肥的地方是驻波，很瘦的地方是不足。最好的状态就是既结实又低沈，还有清楚的质感。脚踩大鼓虽然躲在背后，但是噗噗声